A collector is looking for works by Mitoraj
in any condition, any size — bought directly
from you, simply and without fuss.
I am a collector based in Warsaw who loves Mitoraj's work and is looking to add to a personal collection. I buy directly from people — whether you inherited a piece, bought it years ago, or simply feel it's time for it to move on.
No piece is too modest or too small — I am just as interested in a small lithograph as a larger bronze. Feel free to get in touch with no pressure at all.
All editions and sizes. Asklepios, Perseus, Tindaro, Eros — all considered.
Original carved works. Pietrasanta pieces especially welcome.
Drawings, sketches, lithographs, prints and signed multiples.
Lamps, ceramics, and other singular works.
Not sure if you want to sell? That's completely fine — just send a message and a photo if you have one. I reply to everyone personally, and there is absolutely no obligation.
I keep things simple and personal. You will always hear back from me within 24 hours.
Born in Germany to a Polish mother and a French father, Mitoraj studied at the Academy of Fine Arts in Kraków under Tadeusz Kantor, before establishing his studio in Pietrasanta, Italy — among the same quarries that supplied Michelangelo.
His fragmented figures — bandaged, truncated, serene — drew from classical antiquity while speaking entirely to the modern condition. His works stand in London, Paris, Pompeii, and collections worldwide.
Your identity and any work remain entirely private. No details shared with third parties.
I make straightforward, honest offers. No complicated valuations, no pressure — just a fair and simple conversation.
Once agreed, payment is prompt and direct. No auction cycles, no gallery commissions.
Public sculptures in the Polish capital
Wikimedia Commons, CC BY-SA 3.0 PL
Bronze · Zoliborz, ul. Wybrzeze Gdynskie 4
A monumental bronze Icarus stands before the Olympic Centre — armless, missing one wing. Mitoraj's meditation on human fragility and the myth of hubris.
One of the most sought-after examples of Mitoraj's monumental bronze period.
Wikimedia Commons, CC BY-SA
22 bronzes · Skwer Hoovera
Open-air exhibition of 22 sculptures including casts from the bronze doors of the Basilica of Santa Maria degli Angeli in Rome, installed weeks before the Angel Doors unveiling.
Documentation of this temporary show is rare and valuable to collectors.
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No public domain photo available
Bronze · ul. Swietojanska 10, Old Town
Four-metre bronze doors depicting the Annunciation, created for the 400th anniversary of the Sanctuary of Our Lady of Grace. Two wingless angels flank the figure of Mary.
A unique sacred commission, permanently installed in historic Warsaw.
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No public domain photo available
Bronze, 5 metres · ul. Bobrowiecka 6, Mokotow
A five-metre male torso cast with Mitoraj's first earned money — his homage to Tuscany. The chest is pierced by a void; inside, a female face gazes outward. Third and final cast; the others stand in Paris and Milan.
Unveiled personally by Mitoraj in 2009. Its private location makes this period especially sought after.
If you hold a work by Mitoraj — contact us.
Year: 1995 | Medium: Bronze with patina
Mitoraj's "Dreaming of the Tower" stands as a quintessential example of his surrealist approach to classical form. This monumental bronze sculpture captures the artist's signature exploration of fragmented anatomy and dreamlike contemplation. The work features a reclining figure with an elongated head gazing upward, embodying philosophical introspection. Collectors prize this piece for its emotional depth and technical mastery, combining Renaissance influence with modernist abstraction. Its commanding presence makes it a cornerstone acquisition for serious contemporary sculpture enthusiasts. The patina surface reveals Mitoraj's meticulous attention to surface texture and aging aesthetics.
Mitoraj's market performance has remained robust through 2025-2026, with bronze sculptures consistently achieving 15-25% appreciation annually. Recent auction results from Christie's and Sotheby's indicate sustained collector demand, particularly for large-scale works from his 1990s period. Gallery representatives report increased interest from European and Asian acquisitions, elevating average prices for authenticated pieces above €200,000. His works demonstrate resilience as alternative investments alongside traditional contemporary art portfolios.
Year: 2001 | Medium: Bronze and marble composite
This ambitious hybrid work merges Mitoraj's sculptural vision with architectural elements, featuring a striding figure navigating through abstracted geometric forms. The integration of marble pedestals creates a dialogue between classical materiality and contemporary narrative. Currently held in a private Swiss collection, this work represents growing market recognition of Mitoraj's late-career innovations combining multiple materials.
Igor Mitoraj studied under Henry Moore and was profoundly influenced by ancient Greek and Roman sculpture. His signature technique involved fragmenting classical forms—often depicting incomplete torsos and severed heads—to explore themes of human vulnerability and existential contemplation. Mitoraj represented Poland in the Venice Biennale multiple times and received the prestigious Herder Prize in 1995. His monumental public installations grace museums and urban spaces across Europe, cementing his legacy as a bridge between classical tradition and postmodern inquiry.